Random YouTube K-hole: Caged Heat

I’m trying to keep from thinking about the e-mail my neighbourhood Shoppers Drug Mart just sent. One of their employees just tested positive for the COVID-19 virus last Thursday, the very day I had to go in for some female things. Ugh. My anxiety levels are high, and I’m distracting myself with YouTube videos featuring themes of prison, jail, cages, being trapped, etc., etc. I’m not sure if it’s  really helping,  but it’s this, or escapist videos of beautiful lives and butterflies, and I do love a timely theme, so let’s start off with an angry, incarcerated cry for help in the form of…

They Don’t Care About Us – Michael Jackson

The prison version of They Don’t Care About Us is lesser known than the one set in a Brazilian favela, and came with a disclaimer, because not only was the song (and its lyrics) controversial at the time, so was the imagery of human rights abuses.

Michael Jackson was a true creative genius who used the chaos of his personal life to fuel his creative output. His songs of love, isolation, hate and injustice still ring true, decades after he first came out with them, and his vision was always prescient (also see: Earth Song). It’s a shame his legacy has been left so tarnished.

The Sweet Escape – Gwen Stefani

Now why does this look familiar? Oh, yes. Do you know anyone working from home right now, complaining about how life is so hard, they’re going to need therapy when all this is over? What about the ones going “we needed this” from the safety of their own homes, secure in the knowledge that they don’t necessarily have to go out to earn a livelihood? This video is for you. Here’s Gwen Stefani in the bougiest gilded cage known to man, singing about how she yearns to be free, while us poors putting ourselves at risk look on, wanting to kick her in the tits. I know, I sound bitter (and really, that’s not what song is about, lol). But like I told someone earlier this week, if you’re happy and not in any way, shape or form endangered by homeless crack addicts at the moment, I’m not interested in hearing “we needed this” from you.

Telephone – Lady Gaga (feat. Beyonce)

Speaking of we needed this, Lady Gaga’s Telephone (featuring Beyonce) is arguably the music video that established her as a musician with a definite point of view – she was going to be weird, she was going to be out there, she was going to be seen, godamnit – and she wasn’t going to be cheap about it. I’d argue that Gaga injected some much needed energy into the (then) fading music video landscape with this short film masquerading as a music video. It was a throwback to the glory days when music videos that had stories to tell ruled the airwaves, and you can bet Beyonce never allowed herself to be this upstaged ever again.

Jailhouse Rock – Elvis Presley

“Number forty-seven said to number three, you’re the cutest jailbird I ever did see, I sure would be delighted with your company, come on and do the Jailhouse Rock with me…”  Homo-erotic? Scandalous? For 1957, this is a big fat yes. I never really saw what about those hips made the girls scream and quake and throw their underwear, but I saw parts of Preseley’s leather-clad comeback in HBO’s The Searcher, and finally, finally got it. He ruled for a reason. Elvis Presley in his prime was hot.

I started this post with the King of Pop, and I’m ending it with the original King of Pop – you didn’t think I was going to leave out The King, did you? Elvis Presley is in the building with those wicked, wicked hips of his, singing about having yourself some good old fun in the clinker.  And we should take note of his advice. After all, if we can’t find a way to amuse ourselves right now, we’re going to go nuts.

 

Random YouTube K-Hole: Welcome to the Jungle

Random YouTube K-Hole: Welcome to the Jungle

It must’ve been the depressing strangeness of the past week, because I found myself recalling the over-the-top insanity that was Aqua when they first started. Barbie Girl, that crazy, life-in-plastic single, was everywhere. Their songs were like Covid-19 – horribly catchy. Aqua released earworms that dug their way into your brain and refused to die. The way my brain works is that it reminds me of the stupidest and most random music videos at the weirdest times, so I found myself grinning ear to ear when I remembered (and found!) the music video for…

Dr. Jones – Aqua

For their debut album, Aqua always had the hokiest, Halloweeniest music videos. The themes and cheesy backdrops were set to insidiously happy, earwormy dance pop that could only have come out of mid-90s Scandinavia. “Presented in Aquascope,” they did Mattel, they did pirates, they did astronauts, and here, they do the jungle safari. Naturally, that made me want to cut a path through the jungle, and who did it better than…

Roar – Katy Perry

Katy Perry is the logical successor to Aqua in terms of music videos; she never goes for the subtle if she can help it. But the girl does commit. When she’s in, she’s all the way in, from the props to the lousy acting, all the way to the inevitably happy, triumphant end.

Anaconda – Nicki Minaj

Speaking of triumphant ends, Nicki Minaj is here to help you find yours. While she flaunts hers. Everybody wins! This really should’ve just been called ASS because who can even see the jungle for all the jiggling butt cheeks in your face? It’s practically softcore porn, but let’s just pretend it’s a rap video, enjoy the, er, scenery, and forget we ever saw Drake, shall we?

Waiting for Tonight – Jennifer Lopez

Social distance? What social distance? How do you celebrate the turn of the millennium? By having a rave. In the jungle (or is it a rainforest? I can’t tell). With lasers. As we do. I’ll say this for La Lopez, it’s been twenty years and God knows how many sacrificial virgins, the woman hasn’t aged all that much. She had it then, and she still has it now. She’ll probably always have it, and very soon my patron saint of aging will probably change from Jane Fonda to Jennifer Lopez.

We Interrupt Your Scheduled Programming to Bring You: Heartbreak Weather

This, ladies and gentlemen, is how you use your boyband membership as a springboard to success. None of the overdramatic, Camila Cabelo-esque ready-for-primetime impatient grasping that usually characterizes the breakaway narrative; no Beyonce or Justin Timberlake-esque pulling focus, no Robbie Williams-esque bad boy drama, no Geri Halliwell-esque shock and awe. Just doing your time, putting in the work, waiting your turn, and then, when the time comes, capitalizing on your chance and proving that you have a helluva lot of talent as a songwriter, and more than enough charisma to outshine everyone else in your former boyband, simply by virtue of seeming above it all, and less… well, encumbered, by everything.  Not everyone exits the weird cocoon of singing groups so unscathed.

Who doesn’t enjoy success stories, especially ones where the underdog suddenly emerges to become the bright shining leader of the new world order, Hunger Games style? Not that Niall Horan is a stranger to trying times. Even pretty people get their hearts broken. Not all of them mine it the same way. It seems Horan’s answer to dealing with heartbreak is to make upliftingly catchy tunes for a sad subject matter, which is a positive way of dealing with things, everything else considered.

I liked Flicker, Niall Horan’s first solo album. Not that I’m a big connoisseur but it’s one of the best a former boybander has ever put out in recent years. Heartbreak Weather, while not quite as stellar as Flicker, is not a bad second effort. Although Horan has said it’s a concept album, meant to show matters of the heart as various weather patterns, it’s not as cohesive, track arrangement-wise. By this, I mean the order of play could use just a smidge of re-ordering. Still, it’s really nice to see Horan come into his own, and so suavely too.

Random YouTube K-Hole: Face/Off

It takes a lot of guts to do confessional type music videos, ones where they allow the camera to focus on them and nothing but. There are no distractions, no costume changes, no choreography or hairography.  It feels like close-up music videos are having a small moment, so without further ado let’s start with Selena Gomez and the blind item that is her music video for…

Lose You to Love Me – Selena Gomez (2019)

Oh, the shit that got stirred when Selena released this three days ago, mere weeks after famous ex Justin Bieber married someone who wasn’t her. The op-eds on who she was singing about flew fast and fierce hours after this video showed up on YouTube.  How could they not? The moment Selena sang “in two months, you replaced us”, Buzzfeed, Cosmopolitan, and Elle scrambled over themselves to remind us that two months after their last official break-up, Justin Bieber had moved on with model Hailey Bieber, whom he married for the second time this year.  It’s not the first time she’s alluded to how difficult the Justin Bieber era of her life has been through song, but as crazy as that part of her love life has been, at least she knows enough to mine it for all it’s worth.  In the video, Selena is no longer the sad, self-hating mess in The Heart Wants What it Wants. Here she’s a little bit older and a little bit wiser, shaken, not stirred. It’s an admirable effort, but the true vulnerability that’s required when you do close-up videos like this one is missing.

Memories – Maroon 5 (2019)

Maroon 5 has a way of releasing catchy little earworms, singles that wriggle their way into your ears and never seem to leave. You’ll find yourself singing or humming along to their releases almost as soon as you hear it the first time. We’ve only just driven out last year’s Girls Like You from our collective psyche, and now they’re back again with Memories, Maroon 5’s ode to their recently departed manager. The band knows enough to entrust their frontman with the heavy lifting when it comes to their visuals, and he’s has always been more than happy to acquiesce. Here, Adam Levine meets us head-on with nothing but lush, fully grown-in beard and body art. As a statement, it’s braver than Selena’s – Adam Levine’s take seems less concerned with looking pretty than it is with working through his issues and moving on. That’s what I like about Adam Levine – he seems so comfortable in his own skin, he’s able to just sit there in nothing but his birthday suit and even in grief, put on a show. As the camera moves slowly farther away from the Maroon 5 frontman, a little part of me can’t help wondering if we’ll see a surprise dad bod, but it stops just short of showing us everything we want to see.

Nothing Compares 2U – Sinead O’Connor (1990)

Everyone knows the late – and sorely missed – Prince wrote Nothing Compares 2U.  Die-hard enthusiasts like to cite the song as an example of how prolific Prince really was – enough to be able to practically give away a hit with nary a second thought, he wrote it under an hour for a side project. It’s likely he never intended Nothing Compares 2U to be anything other than a throwaway song inspired by missing his housekeeper. Then along came Sinead O’Connor, huge doe eyes swimming in tears, features as starkly beautiful as her interpretation, her version a miserable wail of longing and loss.  Apart from a few seconds of random, scene-setting scenery, it’s five minutes of staring at nothing but Sinead, and not once do we want to look away from her or her anguish. A testament to her sheer pull as a budding artist, the video for Nothing Compares 2U is arguably the precursor to all the close-up music videos that have come after it. It set the template for how to do it, and while there have been a few of note (see Radiohead), none have come close to capturing lightning in a bottle the way this music video did. It was, and is, an unforgettable visual that deserved all the awards it won in 1990, the year Nothing Compares 2U was released. 

Random YouTube K-hole: Boys to Men

Random YouTube K-hole: Boys to Men

If your feed was filled with before/after photos of people you know this week, congratulations, you’ve just witnessed –  maybe even participated in – the How Hard Did Aging Hit You? challenge. Some said it was a ruse to train facial recognition algorithms (if it was, the joke’s on them because my Facebook profile pic is an illustration), but most took it as a chance to brag about how aging kissed them gently on the lips instead of beating them up with a two by four.

Anyway, it seems two of my favourite 90’s boybands heard the call, because they’re having a moment again, and thank baby jeebus for the treat.

I don’t think Westlife ever hit it big in the US, but luckily for me, I grew up in the Philippines. MTV Asia made no distinction whether the boyband was from the US or the UK – if they were cute and their songs were catchy, they’d get airtime because they knew young girls fall easily for handsome troubadours, and the more of them, the merrier.

If I Let You Go – Westlife

Something about the innocent imagery of If I Let You Go speaks to me the same way it did when it first came out twenty years ago. Look at the handsome Irish boys wading in the surf, singing about their fear of rejection! Swoon. (Hi Kian!) Bonus points for all that long-haired virility galloping in slo-mo along the sand astride horses. It was like the cover of a novel come to life.

Flying Without Wings – Westlife

I intended to share just one video from Westlife, but screw it, I’m including Flying Without Wings.  Because I’m a secret sap who responds to love songs that turn into choral anthems. Because I think a part of me will always be susceptible to ripped sleeves, floppy hair, toned biceps and piercing blue eyes. (Hi Kian!). And of course, because I can. Why haven’t I been to Ireland yet?

Hello My Love – Westlife

Westlife is back, all grown up and singing about gratefulness and age-appropriate choices, sending us all on a balloon-filled adventure over what looks like a discarded set from the original Star Trek TV show. I’m just happy to see them back together, having aged like fine wine. (Hi Kian!)

It takes more than good looks to make a boyband last – excellent song choices are very much a part of its success, with lyrics that can stand the test of time. Pop music gets a bad rap for being faddish and/or shallow, but the best pop songs are the ones that strike a common chord anywhere and across cultures. Westlife’s longevity is in a large part due to this attribute.

The Backstreet Boys are no slouches either. They’re as good at it now, as they were then.

Quit Playing Games (With My Heart) – Backstreet Boys

It actually took these guys a while to make any sort of dent on me. I’d enjoyed We’ve Got it Going On, and nothing brings a smile to my face quite like hearing the first few bars of Get Down (You’re the One for Me), but any doubts I may have had about throwing money away on a cassette (!) tape were over the moment Howie Durough bared his abs in the pouring rain. The boys brought it, and brought it hard in the third video off of their debut album, and it worked like gangbusters. I hared off to Lee Super Plaza first chance I got. Music videos: effectively marketing music to impressionable young girls since time immemorial.

All I Have to Give – Backstreet Boys

I’ve always needed a little more prodding than most, so when the boys came out with their sophomore album, I didn’t think I was going to get it. And then this video came out in all its bright-coloured, fedora-wearing, abs-baring glory, with Howie Durough promising to give me all he had to give. No more questions, your honour. Hello again, Lee Super Plaza.

No Place – Backstreet Boys

Oh, the blessing of boybands that stay strong and true.Even if it’s jarring to see them with wives and children, something which would’ve sent their fanbase into conniptions a couple of decades ago. They famously sang “Backstreet’s back, alright” – but the truth is the Backstreet Boys never really went anywhere… and thank goodness for that, because everyone always needs a little pop in their lives.

Random YouTube K-hole: … Baby One More Time

Random YouTube K-hole: … Baby One More Time

… Baby One More Time recently hit the big 2-0 (we are O-L-D!) and I’ve lost track of  the number of think pieces I’ve read about current times being so dark it’s left us all yearning for a happier, seemingly more innocent era. Can’t disagree with that, those days did seem a lot happier. Back when the hole in the ozone layer was still a tiny tear in the stocking of the atmosphere, everyone was buying McMansions, the Antarctic ice shelf was still for the most part frozen and polar bears were healthy, the ascendant music was pop, unapologetically bright and almost aggressively cheery. And why not? The internet hadn’t yet ruined everything, trolls were ugly little dolls with weird hair and social media was more about glitter fonts than data mining. The 80’s-90’s were awesome. Even New Kids on the Block, Anne-Marie and Charli XCX very biasedly say so.

80’s Baby – New Kids on the Block feat. Salt-n-Pepa, Tiffany, Debbie Gibson and Naughty by Nature

Things I would do if I’d won Lotto Max:  I would hire NKOTB to sing this to my grandma on her birthday. I’d want her on a a chair in the middle of the dance floor in Bethel Guest House with this blaring on the speakers, serenaded by the biggest boyband of the 80’s while the rest of us on the sidelines scream with delight.  She’ll be 88 next year. It’d be perfect.

ps. What’s a Sky Pager?

2002 – Anne-Marie

Aww, the early aughts! A charming mash-up of the era’s most recognizable lyrics,  Anne-Marie’s ode to dancing in the woods on the hood of a car with a plastic cup hits all the right notes. Bonus points for period-specific lip gloss – remember when the girls had mini oil slicks on our lips? MAC Lip Glass, Lancome Juicy Tubes? It’s a love letter to adolescence and everything that came with it. The stuntin’, the weird shades, the crazy bucket hats, the dawn of the midriff. Say what you will about Ed Sheeran, the little ginger Hobbit is responsible for some of the sweetest, catchiest tunes out there right now.

1999 – Charli XCX feat. Troye Sivan

The flashbackiest flashback of them all is brought to you by BMW, Lyft, Beats by Dre and the iPhone X. Charli XCX’s latest is a pop culture time capsule that has everything that ruled the 90’s: the iMac, Nokia, Casio Baby-G, Hanes, Skechers, the dancing baby and Justin Timberlake’s ramen noodle hair. But wait, there’s more! American Beauty,  Titanic, The Blair Witch Project, The Sims, TLC’s Waterfalls, the Spice Girls, bullet time, BSB… it’s like the 90’s partied till 3AM, mixed all sorts of alcohol and threw up in the gutter. Like I said, awesome.

Bonus: Check out Lauren Alaina’s Ladies in the 90’s if you’re want your throwback with a little more country twang!

Random YouTube K-Hole: F-bombs Away

Random YouTube K-Hole: F-bombs Away

Remember when the f-word was so bad, saying it made a body feel positively wicked? It’s gone mainstream and all the rebellious energy its use imparted seems to have gone. Well, mostly. It’s still a great way to express some pretty turbulent emotions, as today’s trio will proceed to demonstrate.

F*ck You – CeeLo Green

Sometimes there’s just no other thing to say, when the one you care about takes everything you thought mattered and tramples it in the dust. The best revenge is being successful, and CeeLo illustrates this in his sassy, snappy ode to a former girlfriend. Its genius is in the use of a gospel-tinged melody so upbeat, it almost makes us forget what the song is about and the aggressive lyrical message from a jilted lover to his ex and the man she left him for.

IDGAF – Dua Lipa

Bringing out the dual in Dua Lipa, IDGAF’s stylish music video illustrates the warring emotions that arise when dealing with a jerk who’s broken your heart and wants to come back. It’s an angry, f-bombing ode from a dumpee to a dumper, and Dua Lipa, unlike CeeLo, plays it with a sullen, disinterested, slow-burning anger, rather than glee.

GTFO – Mariah Carey

Finally, the music video that started this all, Mariah Carey is back in the hizzy with a drunken little ditty, and you know what, I’m liking it. It’s been a while since she’s released a single and an accompanying music video, and GTFO is billed as a “lighthearted first listen” of her latest album. If this is Mimi’s idea of lighthearted, she’s got some serious issues, but it’s catchy, with lyrics that belie her delicate vocals. She’s angry, but she’s not going to be trashy about it, she’s just going to down some red wine and run herself a bath like a well-balanced adult who looks a mite too big for the house she lives in, but whatever. I am not going to be able to stop listening to  this today.

Random YouTube K-Hole: Tears for Fears

Random YouTube K-Hole: Tears for Fears

I’d been waiting for the official video of Carrie Underwood’s Cry Pretty before posting this particular k-hole about songs that deal with a specific kind of emotional catharsis. But before getting to the country queen’s latest oeuvre, I’m getting in a time machine and going all the way back to the past when Aerosmith and Alicia Silverstone ruled the video airwaves…

Aerosmith, Crying

I don’t know what you’re all going on about us being oppressed, female power was just as alive in 1993 as it is today. Alicia Silverstone and her healthy blonde mane acts out after seeing a very young, very attractive, Stephen Dorff inhabiting his standard persona of douchebag-you’d-still-bone cheating on her in a movie theatre. Proving to him and everyone else, including the guy who attempts to steal her backpack (look, Josh Holloway!), that she’s not going to take any shit unless it’s on her terms, this was the first of Alicia’s video collaborations with Aerosmith. She would go on to star in Amazing, and Crazy, to similarly enthusiastic acclaim. With a killer video and sweet vocals, Cryin’ is the Teenage Dream video of the 90’s, before Katy Perry (intentionally? unintentionally?) got her revisionist mitts all over the disaffected teenager storyline.

Justin Timberlake, Cry Me A River

Way before he became the Man of the Woods, Justin Timberlake was living out a revenge fantasy featuring Britney Spears a blonde who famously breaks his heart. He denied the song was about Britney of course, but we all knew he was lying, Liza Minelli! For a brief moment in the early aughts, those two turned a number of pre- and post-pubescent teenagers into a screaming Tyra Banks meme. (We were all rooting for you in matching denim, damnit!). With the help of Timbaland, Mr. Timberlake breaks into a not-so-mysterious blonde’s home like a crazed stalker, tap dances all over her furniture, has sex with a stranger in her bedroom and spies on her while she’s in the shower. Rude! Also, creepy. This video would’ve aged pretty well if it wasn’t for that bulky-ass cam-corder, reminding us all of the lengths we used to go to just to record things for posterity.

Ariana Grande, No Tears Left to Cry

Known more for her vocal chops than eye-catchingly original music videos, Ariana Grande doesn’t do anything to upset that particular status quo in this, her latest video for No Tears Left to Cry. The concept is pretty much blonde Inception on the discarded set of Marvel’s Dr. Strange and it’s a complete disconnect from the song, but who needs concepts and connectivity when you have a new hair colour? It could be the bleach, it could be having a perpetual ponytail, whatever the cause, Miss Grande’s state of mind is up, down, and all around. A bit of a surprise banger, No Tears Left to Cry  is probably going to go on heavy rotation from here to eternity. And by eternity, I mean for the rest of the summer. She’s here, it’s queer, get used to it.

Carrie Underwood, Cry Pretty

And finally, the blonde that kickstarted today’s quintet. Round of applause for Miss Underwood (no relation to Frank) who is back with another country ballad about falling apart, wasting mascara into the process. I’m not sure what she meant by saying her face got all fucked up and she doesn’t look the same; I only hope she’s not suffering from some extreme form of body/face dysmorphia, because girl is still looking good. I know some people who are so gay they practically sweat glitter, but Carrie Underwood is going the extra mile by actually crying glitter tears while singing Cry Pretty. A bit on the nose, but way to commit to a concept!

Random YouTube K-hole: Vertical Horizon

Back in the day, the leadup to the premiere of an anticipated music video was an event, awaited eagerly the way we wait for trailers for a summer movie tentpole. Artists were expected to come out with something worth the wait, and anything less was an insult to the diehard fan.

Not anymore. Not really, anyway. It’s the age of throwaway culture and handheld computers, so anyone can skip the middleman, spend five minutes and make their own music videos. Like these three.

Nicki Minaj, Chun-Li

Does anyone remember when Jennifer Lopez was the one with the booty? We were babies. Look at this. Camera? Check. Giant ass? Check. Nicki Minaj definitely puts the ass in asset and I can’t hate her for working that moneymaker, because if you’re going to commit to having a butt that big what’s the use of not shaking it? While bonered-up fanboys may forgive the crappy lighting, I think it could’ve done with a little less neon pink wash. I don’t get why Chun-Li needs the wi-fi password and Barbie Tingz is lyrically stronger than this, but eh. It’s no Super Bass, but it’ll do for a few replays.

Taylor Swift, Delicate

In a bid to make the world forget that the original video for Delicate is a blatant reenactment of a Kenzo perfume ad, Swifty releases a Spotify video version of Delicate, featuring just… her. In a field. Mouthing lyrics in the sunlight. Lighting-wise it’s loads better than Chun-Li, but its still the visual equivalent of not giving a fuck. It’s clearly the one take, it’s a wrap, I gave people effort with the other video and they shat on me so here ya go kind of vibe. While the video sucks, the single does not and its tropical chill vibe makes it very easy listening.

Maroon 5, Wait

Leave it to notoriously narcissistic Adam Levine to nail the vertical selfie video on the head: utilize an entire array of Snapchat filters, pretend your band doesn’t exist, and just wander around your huge mansion rocking out to a catchy song and being cute. I know a few girls and gay men whose ovaries regularly explode over Adam Levine, and this video for Maroon 5’s Wait isn’t going to help their already battered reproductive areas any. The band did release another professionally shot video for Wait, which features the many looks of Alexandra Daddario and a truly fantastic closing montage, but this first one is a lighthearted romp full of charm and whimsy.

Random YouTube K-hole: Cathode Ray of Light

Random YouTube K-hole: Cathode Ray of Light

I used to have a rule about liking a particular single: I had to like the music video. It was essential, and a huge influence on whether or not I enjoyed the track. But that rule went out the window with the advent of Spotify. In this, the era of the playlist, music videos seemed like an afterthought. It also felt for a minute like the music video as an art form was no longer really being celebrated, the way it was when MTV put the music in television, so for the past few years, I’d given up checking out music videos.

But like the nineties, music videos are back and having a moment. Lady Gaga, Beyonce and yes, Kanye West, ensured the form was still to an extent, kept interesting and hopefully we’re beginning to surface from a morass of boats, hoes, stripper poles and cash raining down from the heavens. And just like the nineties, CRT televisions are having a moment. With the following music videos, I explore the answer to the question, “where do cathode ray televisions go to die?” (The answer: music videos of early 2018.)

Hey, at least we’re recycling.

Justin Timberlake, Supplies

Not my favourite cut off of Justin Timberlake’s largely panned Man of the Woods album, the single may not be a standout, but its accompanying music video is a smorgasbord of visual stimuli. Illuminati! White gators! Flashlights! Watching the collapse of a way of life just doesn’t feel the same unless it’s viewed on a wall of old school television sets, does it?

Cardi B feat. 21 Savage, Bartier Cardi

For what it’s worth, Cardi B’s Bartier Cardi only gets a mention because its current. And features a video wall. I can’t get with this single at all. Cardi is fun but so far the only rap she’s done that I really liked was her turn in Migos’ Motorsport. I would just as happily use Celine Dion’s Because You Loved Me for video wall purposes, but it’s not in keeping with our theme, and lordy I don’t want to admit how old I really am. Even if I just did.

The Weeknd, Call Out My Name

The music video that jumpstarted this particular k-hole, word on the street is Call Out My Name is about Selena Gomez. Whomever it may be about, I’m loving this single, and the fantasy of the accompanying lyric video. You can watch a world burn through the eyes of cathode ray televisions and you can also watch a heart break. Somehow this with a wall of flatscreens would be like being at Best Buy. At any rate, this video fully belongs in The Weeknd’s wheelhouse – it’s dark, moody and ever so slightly sad. It’s fitting that his latest album is called My Dear Melancholy.