It’s been a silly week for music videos whose musical vibe don’t quite mesh with the chosen visuals (looking at you, Billie Eilish), and leading the pack is Miss Lipa, going all wild wild west. In a hotel lobby. With an egg. And clowns, for some reason. I’m not sure what it is with all the dead-eyed singers these days, but I miss the naughty sparkle in the eyes the best pop divas used to have – Whitney, Mariah, Celine, down to the Britney contingent. Was it the coke? Was that just Whitney? Anyway. Dua always gives good pouty face, and Future Nostalgia is such a banging party album all throughout, it’s hard to hate. Love the song, but she’s had way better music videos.
You Should Be Sad – Halsey
I’m going to give Halsey props for the shout-out to the original queen of the country-pop crossover – Shania Twain – but that’s about as close to authentic country as You Should Be Sad can visually get, banjos bedamned. It’s probably not on purpose – clearly she’s just borrowing (appropriation? gasp!) a theme here, and the song is cute, but it’s pretty much girl gets mad at loser ex-BF and decides to go writhe on the floor of a barn because, I don’t know, boobs. Or something.
Don’t Tell Me – Madonna
Yes, rounding this off with another one from the vault, because the 90s was the golden age of the music video, and yes, I am willing to die on this hill. Don’t Tell Me is a stripped down, earthy, modern take on cowboys, bucking broncs and the rugged terrain of the American West – a stylized encapsulation of exactly what it is that makes this bit of Americana so instantly recognizable. With nothing but plaid, dirty jeans and a giant belt buckle, Madonna did it first, and did it better. Maybe I’m just biased. Maybe I’m just an old. It’s probably both, but hey, I choose my choice!
Remember when the f-word was so bad, saying it made a body feel positively wicked? It’s gone mainstream and all the rebellious energy its use imparted seems to have gone. Well, mostly. It’s still a great way to express some pretty turbulent emotions, as today’s trio will proceed to demonstrate.
F*ck You – CeeLo Green
Sometimes there’s just no other thing to say, when the one you care about takes everything you thought mattered and tramples it in the dust. The best revenge is being successful, and CeeLo illustrates this in his sassy, snappy ode to a former girlfriend. Its genius is in the use of a gospel-tinged melody so upbeat, it almost makes us forget what the song is about and the aggressive lyrical message from a jilted lover to his ex and the man she left him for.
IDGAF – Dua Lipa
Bringing out the dual in Dua Lipa, IDGAF’s stylish music video illustrates the warring emotions that arise when dealing with a jerk who’s broken your heart and wants to come back. It’s an angry, f-bombing ode from a dumpee to a dumper, and Dua Lipa, unlike CeeLo, plays it with a sullen, disinterested, slow-burning anger, rather than glee.
GTFO – Mariah Carey
Finally, the music video that started this all, Mariah Carey is back in the hizzy with a drunken little ditty, and you know what, I’m liking it. It’s been a while since she’s released a single and an accompanying music video, and GTFO is billed as a “lighthearted first listen” of her latest album. If this is Mimi’s idea of lighthearted, she’s got some serious issues, but it’s catchy, with lyrics that belie her delicate vocals. She’s angry, but she’s not going to be trashy about it, she’s just going to down some red wine and run herself a bath like a well-balanced adult who looks a mite too big for the house she lives in, but whatever. I am not going to be able to stop listening to this today.