I have a confession to make. I am an addict, enslaved to Cheetos. Anyone who’s willingly dunked their face in a wide-open bag of Cheetos will understand the sheer thrill of inhaling the scent of chemical flavouring.It is a horrible addiction to have, because no one wants to admit their world is ruled by Chester the Cheetah, but there you have it. It could’ve been coke. Crack. MDMA. Bath salts. Heroin. Prescription painkillers. Something, anything more high-brow, something with cachet, but no. It just had to be an easily accessible bag of cheese curls with orange powder. It’s got the same after-effects – the aftermath has me curled in a ball, hating myself and wanting to throw up. Curse thee, o fates! Curse thee, o willpower, that thou shouldst desert me in my time of need!
Author: Nikka
Phoning it In
If I was a movie character, I would be Sid from Toy Story. My things have a weird habit of burrowing into the bottom recesses of my satchel whenever I’m fishing around for anything like keys, a brush or a tube of lip balm. Inanimate objects tremble in fear whenever I move to pick them up. I’m klutzy, I drop stuff all the time and I’m not the best phone caretaker in the world.
It doesn’t start out that way, of course. Like all relationships, phone ownership always starts out with a ton of love, care and understanding. With a brand new phone, I exercise extreme caution, treating it like a baby – fed, burped, cleaned, prodded, cooed at every day. Every little bump and possible mishap elicits frantic apologies and maybe even a few neurotic kisses. It grows on me and then, as is usual in a relationship, things start getting taken for granted and the slow slide towards eventual destruction begins.
My first phone was a Nokia 3210. It was an awesome piece of work. Slim enough to slip into a back pocket, streamlined enough not to look like a tragic bar of soap, hardy enough to keep going for days on a single charge. These days, that kind of battery life is a myth. Anyway, I dropped it by accident way too often than was healthy, and it got to a point where it would literally fly apart each time it hit the floor. Its battery would be on one end of the room, the casing on the opposite side, the keypad somewhere under the couch. Took a licking and kept on ticking, that 3210. It was basically Chuck Norris.
It seemed prescient when Nokia announced they were bringing back their classic 3310. I was pretty stoked about this, because a return to “dumb phones” seemed like a refreshing change of pace. Being plugged in 24/7 can get exhausting. In my head I figured they’d dust off whatever boxes of phones they didn’t manage to move twenty years ago, and just offer those up for sale, but no. The new 3310 shares a passing resemblance to the old one, but this is not the phone of yore. It’s a pimped-out imposter dressed in a similar outfit. It’s got a camera, data capabilities and Snake, except Snake is now in colour. I wanted the phone of yesteryear, no bells, no whistles, no rear camera, but I suppose nostalgia can only go so far.
Now, my Galaxy S3 is a few months shy of its sixth year and the truck driver who gives me a lift from work thinks my phone is a piece of crap. It’s certainly seen better days – beside the gleaming polish of his iPhone 6 it looks like a candidate for the junk heap – but I don’t care. I glory in the broken-downness of it. I complain about its stupid auto-correct and I think it’s gotten as slow as all get-out, but deep inside I love my S3. You know the moment you lose an iPhone 6S that you’ll never see it again but you can’t say the same for a cracked S3. (I wouldn’t be surprised if someone paid me to take it back.)
When it comes to tech, I apply the same strategy my father has for his house slippers: use it into the ground until it conks out, maybe try to resuscitate it with lots of duct tape and a prayer, then when it becomes painfully obvious that it’s given up the ghost, set it aside for the next big thing. I’ve been fortunate in my choice of phones so far, but the end may be nigh.
Shedding it All Over
Nothing like a throwback slow jam to prove that musically (and otherwise), the 90’s was the best decade to grow up in. Everyone was either in love, making love or wanting to be in love and not afraid to embrace the cheesemax. Represent, Bruno Mars!
The Choices We Make
Dear Elly G,
So this is why that night was epic. Not only did you write, produce, direct and star in your own version of The Best Party Guest Ever, you also got hugged by a guy you are attracted to. And not just a boring, wimpy, ass-out hug either. A hug tight enough for you to feel his back muscles and biceps. We all know this is how you get your kicks – lingering physical contact with handsome, fragrant men you have a big crush on! After all that, I can only imagine the amount of pudding in your panties if you somehow finagled your way into XX’s arms at our looming high school reunion. I feel like someone would have to stand by with a defibrillator in case things got spastic. After the heady rush of that dinner party and its subsequent ending, ending up in a VIP booth with free drinks in a nightclub straight out of a Baz Luhrmann fever dream could only be the icing on the cake.
(Speaking of cakes, coming out of the kitchen with a candlelit cake, coyly singing Happy Birthday? Not the star of the night, my fat ass. If you weren’t, you certainly earned points for trying. You do realize you just negated your claim to being self-conscious when you channeled your inner Marilyn, right? If I had been at that party, I would probably be Janeane Garofalo.) Continue reading “The Choices We Make”
Terminal Illness
I don’t quite get why we have to pay for the terminal at the pier.
I’m being disingenuous of course. It’s obvious what the fees are for – the x-ray scanner and the people who man it, the seats, the two large flat screens of almost nonstop travel tips (“To avoid getting seasick…”), washrooms, seats, air-conditioning. What I don’t quite understand is why passengers with tickets have to pay to get into the terminal before they’re granted entrance to said terminal.
The moment you enter the Dumaguete seaport, Continue reading “Terminal Illness”
The Lobster Quadrille
If you’re casting about for a movie to watch this Valentine’s Day, save your money, time and sanity and forget about Fifty Shades Darker. Get on Netflix and watch The Lobster instead. I know, it’s been out for a few months and I’m tardy to the Netflix viewing party, but better late than never, I always say. Featuring Colin Farrell, who channels Christian Bale’s paunch from American Hustle, it’s the ultimate Valentine Movie, suitable for viewing each time that silly naked angel with a bow and arrow makes its inevitable appearance and tries to make all of us feel inadequate at love and romance.
Why anyone would choose to leave someone who looks like Colin Farrell – even a near-sighted, sad-sack, porn-stached Colin Farrell – is beyond me, but this is exactly what happens. He soon finds himself in a hotel with 45 days to get boo’d up, otherwise he’ll live out the rest of his days in the sea. The Lobster is billed as a comedy, which is restrictive and fails to give one the whole spectrum of what it’s really about. The humour is there, but it’s humour of the very black, twisted, sad kind. Nowhere is this more glaringly obvious than in the frantic forest hunt where everyone tries to capture a loner to enable them to extend their stay at the hotel in the hopes of buying them a little more time to find that elusive perfect match.
In the Philippines, we use the term “firing squad.” If you have no one on Valentine’s Day, you may as well be taken out to the back and shot. Which is the fate of all the loners in this movie – the ones who don’t willingly submit to what happens if they fail to couple up by the deadline end up being hunted, by the very ones who are about to take their place. It’s a scene rendered in excruciating slow-motion, an allegory for frantically swiping right.
The Lobster exists in a “dystopian” society where people who aren’t paired up are considered animals. I use quotation marks, because it isn’t dystopian at all. This is what real life can sometimes be like. The propaganda is everywhere. No man is an island. Two are better than one. Three’s a crowd. Strength in numbers. Even Ricky Martin says nobody wants to be lonely.
The movie is a scathing indictment of something most of us are aware of and struggle against, but end up tolerating anyway: we will always and forever be partially defined by whether or not we are one half of a significant whole, because society thinks there’s something inherently wrong with single people. To most, single people are like empty subway cars: full of exciting, limitless potential until the doors open and we realize there’s poop. Or vomit. Or a malodorous hobo sleeping on the floor. While this myopic view is thankfully changing, it’s still glaringly prevalent. We sentence single ladies past a certain age to a life of knitting and cats, or aging bachelors to waning years left balding and alone in an apartment that smells like feet. It’s the reason well-meaning people ask if you’re in a relationship. Saying no too often to this question marks one as odd. Never mind that solitariness can, is and should be a choice. We don’t always have to be with someone, but people will always wonder why.
Bee My Valentine
That bloody bee is back at it again, tugging at all our heart strings with a trilogy of Valentine’s Day ads. I salute the evil genius behind the Kwentong Jollibee Valentine campaign. Well played, sir. As if I don’t struggle enough to curb my emotional eating, this comes along and convinces me true love tastes better with an an upsized glass of pineapple juice and an extra box of Peach Mango Pie.
While “Date” is emotionally shattering and “Vow” is unintentionally hilarious (all I could picture after that twist was Jorah Mormont in the friend zone), it’s “Crush” I enjoyed the most.

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